Fellowship

The RAMSA Fellowship is a $10,000 prize awarded annually by Robert A.M. Stern Architects for travel and research. The fellowship seeks to promote investigations into the perpetuation of tradition through invention—key to the firm’s own work—and is given to an individual who has proven insight and interest in the profession and its future, as well as the ability to carry forth in-depth research. The fellows complete their travel in the summer and present their research to RAMSA’s office in New York City the following spring.

The fellowship is open to graduate students in the penultimate year of a professional or post-professional degree program in architecture at a NAAB-accredited school. Now in its tenth year, past recipients have traveled to Austria, India, Indonesia, Italy, Japan, Kenya, Poland, Romania, Scotland, Slovakia, Slovenia, Ukraine, and various cities in the United States, where they have studied a wide range of topics.

Congratulations to Giuliana Vaccarino Gearty, recipient of the 2022 RAMSA Fellowship! Giuliana will be awarded $10,000 to travel to Syracuse, Palermo, and Trapani in Sicily to study the architectural styles and preservation techniques of eight tuna fisheries, known as tonnare.

Daniel Hall, recipient of the 2021 RAMSA Fellowship, will travel to Japan to study the architecture and traditional crafts of the Ryōan-ji, a house located in Kyoto and built in 1450. Yaxuan Liu, recipient of the 2020 RAMSA Fellowship, will travel along the west coast of Taiwan and document the historic Qilou building type.

For more information about the fellowship, read our recently published article “A Discussion About Travel, Research, and the RAMSA Fellowship” on RAMSA Storyboard. The fellowship is administered by RAMSA Research, email fellowship@ramsa.com with any questions.

Orthodox Sacred Space in the Rural Imagination

Radu-Remus Macovei traveled to the Carpathian Mountains to document and catalogue the region's Christian wooden churches. The churches were constructed between the fifteenth and nineteenth centuries in response to the Catholic Austro-Hungarian Empire's prohibition on masonry construction for Christian churches. “These inventive wooden churches have received very little academic attention to date," explained Macovei. "Given the soft, monumental massing of their curvilinear shingled roofs, which impress with their sheer size and height, the architectural experience is not limited to the building itself but responds to the physical features of the surrounding mountainous landscape."

Rooted Future: Resurfacing Lost Identity

Wilson Harkhono traveled to Indonesia where he catalogued and analyzed the diverse vocabularies of the country's traditional homes—the Rumah Adat. The jurors were persuaded by the geographic focus of the proposal and the clarity of its intent. His proposal “to learn from traditions that have been suppressed and nearly lost speaks to the mission of the fellowship,” said the jury.

Alpine Modernism: Sensitive Identities and Regional Placemaking

Kyle Schumann traveled to Austria, Slovenia, and Italy, where he studied the work of architect Edoardo Gellner, Jože Plečnik, Edvard Ravnikar, and Otto Wagner. Examining the ways in which these architects engaged with “complex and often conflicting cultural histories, coupled with the challenging geography and climate of the Alpine region,” Schumann argued “necessitated an architecture intricately sensitive to material, cultural, and programmatic contexts.”

Thomson and Wright

Gerald Bauer traveled to Milwaukee, Chicago, and Glasgow, Scotland, where he studied the work of Alexander “Greek” Thomson and Frank Lloyd Wright. “Despite being born at opposite ends of the 19th century,” Bauer wrote in his submission, “and with no evidence of communication in their lifetimes, Thomson’s Greek Revivalism and Wright’s early Prairie Style bear striking resemblances . . . as two strains of an analogous logic which sought an appropriate expression of modernity rooted in historical precedent.”

The Myth of Pure Form

Michelle Chen traveled to India, where she studied the architectural shift from a diverse fabric of expressive design languages to a politically and ethnically neutral vocabulary. “In our world of increasingly ubiquitous gleaming towers, clean in form but cleansed of details, looking to centuries-old traditions might be a means toward reestablishing human attachment to our everyday surroundings,” says Chen. Her research included drawings that attempt to “chart a path to a more balanced architecture – one which does not forsake cultural expression for a shallow conception of political order.”

Japanese Wood Culture

Anna Antropova traveled to Japan, where she studied ancient wood joinery techniques. Her research was driven by the potential transformation and application of ancient timber techniques to modern construction: “This elegant and efficient mode of construction could meaningfully inform our western building industry, an industry addicted to toxic adhesives and an indiscriminate application of metal fasteners. Wood stands to be for our generation what steel and concrete were for the previous two or three, and Japanese joinery offers us a sustainable mode of assembly for a sustainable material with far less embodied energy.”

Catenary Vaulting on Mfangano Island

Jonathan Dessi-Olive traveled to Kenya, to introduce timbrel vaulting – a traditional clay building system – to craftsman on the island of Mfangano. He proposed locally-manufactured clay tiles as a sustainable solution to the ecological burden of vernacular wooden architecture in a context of rapid deforestation. Collaborating closely with local craftsman, the result of this nine-week collaboration was a small structure, Ekialo Kiona Radio Studio, constructed entirely of timbrel vaults and envisioned as Africa’s first wind/solar-powered radio station.

2022 Runner-up – Qiuyi Bian, Harvard University

Woven Wooden Bridge: Chinese Floating Shrine

 

2022 Finalist – Cesar Delgado, Columbia University

Strengthened by Collective Care: The Fujian Tulou

 

2022 Finalist – Zach Felder, Yale University

Architecture for the Artist: Rural American Artist Communities